About your hosts for this live experience…
Oceana Sawyer is…
... an End of Life (EOL) Doula who specializes in the liminal spaces of active dying and grief. She is currently researching the intersection of embodied grief and somatic abolitionism as well as developing and holding space for healing through a sensual (all the senses) lens.
Here work with the Rooted Global Village is focused in the area of somatic grieving as a liberatory praxis as well as holding space for people of the African diaspora.
A certified home funeral celebrant, living funeral ceremony facilitator, and Conscious Dying Educator, Oceana also holds graduate degrees in counseling psychology and organizational development.
Cliff Berrien has…
35-years experience as a percussion student and teacher of several music traditions, including drumming styles from Brazil, the Caribbean, Africa and India.
He has long been interested in the work of Afrofuturist writers and has had the honor of exploring the genre with his colleague and mentor, Dr. Barbara Holmes, author of Race and the Cosmos and Joy Unspeakable: Contemplative Practices of the Black Church.
These conversations deepened Cliff’s appreciation of womanist thought as a visionary landscape influenced by indigenous spirituality and woman-centered perspectives which place humans in a sacred web of life that includes plants, animals, elemental forces, the earth, the cosmos, and the living and the dead.
1st Showing: 11:00am - 2:00pm PT
The film is an Afrofuturist story set in a village in Rwanda made of computer parts, and centers on the relationship between Neptune, an intersex runaway, and Matalusa, a coltan miner, whose love leads a hacker collective.
“... I acknowledge that our common humanity will overcome the short-sighted attempts at riling our anger or mining our fears and attention to have us act with less than our hearts. What we share, what connects us, has always been wireless, beat-driven, and beholden to a purpose that aims at uplifting and contributing to the dialogue that drives humanity forward into greater and greater awareness.”
- Saul Williams - producer, co-director, composer
Together we will watch the film, and then spend 30 minutes in conversation space with one another afterward.
To begin, we will spend a bit of time puzzling out what an afrocene is and how might it become a context for our passage out of this dying era of modernity and the anthropocene.
“I coined the term Afrocene to do some other kinds of work: to invite a noticing of the more-than-human constituents of our politics today to say that the world has ended many times, as I said, in that speech. And with the world ending, and with these cracks emerging, we are suddenly exposed to the diasporic quality of our bodies. So that, in a sense, we are no longer as composed as we were. And the idea here is that the human or whatever colonial project that can come to mind is not as resolutely stable for all time as we think it is.”
An oracle and reflective writing workshop where we look together at what the apocalypses we and our communities have survived are teaching us now.The apocalypse is not new. For Black communities the idea of apocalypse is not even futuristic, it is historical. The systemic world-ending survived by communities of the African diaspora has generated robust definitions of community, freedom and power.
Building on her afrofuturist book, M Archive: After the End of the World, Alexis will lead an interactive oracle lecture and reflective writing workshop where we look together at what the apocalypses we and our communities have survived are teaching us now.
This visionary slideshow includes the photographs of the Infinite Essence and Cosmologies series, which place illuminated Black bodies into tableaux inspired by scenes from the archive of West African Dogon and Igbo myth.
“This series presents a more complex version of the visual landscape I have created with its use of images with multiple figures, painted backdrops, and ultraviolet strobes which emit synchronized beams of ultraviolet light in total darkness to illuminate glowing scenes that animate creation myths from Igbo and Dogon cosmology.”
Cliff Berrien laid the images on top of a soundtrack that includes:
- NASA - Song of Earth (Voyager Space Sounds)
- Angel Bat Dawid - Hush Harbor Mixtape
- Baaba Maal - Welcome Home (Wakanda Forever)
- Yelli 1 - Heart of the Forest by the Baka People of Cameroon
- Digital Keyboard Textures & Additional percussion - Cliff Berrien
This presentation will begin with a foundation in womanism. "I choose womanism as my means of interpreting the Divine Feminine in dark bodies, because it encodes the mysteries of life as well as a focus on community rather than individual rights…” Barbara A. Holmes, Crisis Contemplation 2021
From this foundation, we will move from the darkness of the womb into the darkness of the cosmos forming a pathway that will illuminate ways forward in which darkness/blackness can be utilized as a site of creation for what comes next as we move through these times of collapse.
Join us for 30 minutes of time and space to integrate in affinity based spaces.
In this space intended for people of the African diaspora, we will integrate the experiences that came before. Having arrived in whatever state in which we find ourselves, we will take a bit of time in a warm pool of reflection. What do we know now that we only suspected before? What has shifted in our body-mind-heart? What cracks have formed that we want to explore further?
We will gather the bits through personal reflection as well as small and large group reflection. A portal for communing with ancestors, spirits, and the more-than-human kin will be opened in the deep waters of a soundbath. Finally, our time together will culminate with a communal storyboard activity around the emergent and the imaginal.
Exclusively for people of the African diaspora.